F/2 on the 35mm f/1.4 seems to be the sweet spot in terms of centre sharpness and combined with the beautiful bokeh, that pleasing ‘3D effect’ is actually increased. 28mm Lenses. Ultra-wide zoom lens for full-frame Sony E-mount mirrorless cameras features constant f/4 maximum aperture. • Sony lenses were tested on the 42mp Sony a7RII • Canon lenses were tested on the 50mp Canon 5DS R • Nikon lenses were tested on the 36mp Nikon D800E. It just depends which is most of your shooting. Get practical advice from a pro on which settings to use when, great shooting tips, and assignments at end of chapter to practice what you’ve just learned. We tested the Sony FE 28-70mm F3.5-5.6 OSS with the demanding A7R to see if it could cope with its massive 36 megapixel resolution. I´m goin to buy a Sony A7 III very soon. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the Sony 55mm f/1.8. 24-70mm is a great range for portrait photography because it allows you to shoot everything from wide environmental portraits to a tight intimate portrait and this flagship Sony lens is by far the best 24-70 on the market. This is an absolutely great lens for tight portraits. Imperfections like this add a certain character to the lens flare, with a certain unpredictability that’s fun to play around with. Any 400 2.8 lenses will be in the $10K + price range. Well, this Sony 85mm f/1.8 was the third lens I settled on. All 3 lenses display fairly heavy corner shading at the maximum aperture, approaching –2Ev, and … It is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body. RXD stepping motor enables quick, near-silent autofocus performance for stills and video, along with full-time manual focus override and a minimum focusing distance of 7.5″. Joining the FE 28mm f/2, FE 35mm F1.8 and FE 50mm f/1.8 in creating an affordable lens line-up while still providing excellent optical performance. If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. What would be the 3rd lens in this combo? Using Canon lenses on a Sony body is definitely possible via adapters like these, and it’s fun to experiment with other 3rd party lenses too, but I always recommend using a native lens where possible. Here’s an example of a lens that’s quite a mouthful: Sony lens naming conventions can be a little confusing…. Start with the one you need most. BEST IN CLASS (TIE): Sigma 40mm F1.4 DG HSM FE Art Lens | Price: $1,399 ), feel free to skip ahead to the next recommended lens, since the 35mm f/1.8 is only for APS-C (crop) sensor shooters. This bright aperture super telephoto features lightweight design ideal for sports, news, wildlife, and nature photographers. Sony does make 50mm 1/.8 lenses for both E and FE mount cameras, but this 55mm is faster to auto-focus and sharper, making it definitely worth the additional expense if you plan to use it a lot. BEST IN CLASS: Sony FE 24-240 F3.5-6.3 OSS Lens | Price: $998 I am asking now as I feel like having some sort of strategy really helps in not wasting money on these expensive full frame lenses. I don’t want to spend too long trying to compare these two excellent lenses, since neither is the ‘right’ choice. Let’s start with the bad news – this is one expensive lens. 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